For lovers of Asian cinema and for those simply curious to know its trends and moods, experiments and innovations since it strode the world stage with assurance in the mid- 80s, Asian Film Journeys is a feast. It presents a selection of articles that appeared in the pages of Cinemaya, The Asian Film Quarterly between 1988 and 2004, articles that closely tracked the bold new film narrative of both the well-known and the lesser-known cinemas as it unfolded. .The Quarterly remained, for fifteen years, the one and only serious yet lively platform for writing on the cinemas of Asian countries. Given that the writers were mostly Asian -apart from some keen and long-standing followers of Asian cinema from the West — the magazine offered, for the first time, a truly 'authentic point of view, a look at films from within their cultures. Such writings often explained cinema in ways, that altered and enriched our understanding.Cinemaya covered a large space by inviting leading directors and writers to write, if they so chose, in their own languages and translating their pieces into English. New trends and classics, comprehensive interviews, sections on little-known masters, documentary filmmaking, women filmmakers, eminent actors and cinematographers, the Western gaze on Asian cinema, emigre filmmakers, /genres, issues of sexuality, of censorship, political contexts of filmmaking the magazine kept its finger on the pulse of Asia for fifteen years.
Asian Film Journeys: Selections from Cinemaya
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ABOUT THE AUTHOR Rashmi Doraiswamy
Dr. Rashmi Doraiswamy studied Russian Language and literature at Jawaharlal Nehru University, New Delhi. Her doctoral dissertation was on Mikhail Bakhtin, the Russian philosopher of culture. She is currently Associate Professor at the Academy of Third World Studies, Jamia Millia Islamia and is working on Central Asia. Her writings on litetature and cinema have appeared in prestigious publications in India and abroad. Her entry on ‘Literarture and Film (India)’ has appeared in the ‘Encyclopedia of Postcolonial Literatures’ (Routledge, 2005). She was awarded a Certificate of Appreciation by the Tadjik Filmmakers’ Union in 1991 for the promotion of Tadjik Cinema. She also won the National Award for the Best Writing on Cinema in 1995. She is co-editor of the book ‘Being and Becoming: The Cinemas of Asia’ (Macmillan,2002).
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Bibliographic information
Title
Asian Film Journeys: Selections from Cinemaya
Author
Edition
1st ed.
Publisher
Wisdom Tree, 2010
ISBN
9788183281782
Length
xv+640p., Illustrations; 24cm.
Subjects
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