Cult of the Goddess

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This volume is comprised of forty-one well researched and illustrated papers on Cult of the Goddess. It tries to trace the origin and trajectory of the divine feminine force in art and culture for over a period of five millennia, which is a great achievement in itself. While exploring the living tradition of the Great Goddess, the book offers unique insight to the psyche of India and the Greater India.

In the multifaceted goddess cult, the goddess takes diverse forms in her role as a destroyer of demonic forces and a donor of boons to her devotees. The goddess is also the divine consort, creator of the universe, source of progeny, prosperity and immortality. In her numerous roles the goddess maintains the equilibrium and sanctity of the universe. In mythology, the Mother Goddess is worshipped as the earth, fish, snake, tree or the forest.

The book delves deep into the imagination and religious lives of the people to understand the meaning of rituals, philosophy and metaphysics. The enduring appeal of the goddess in folk traditions and in classic literary sources is discussed from various points of view. The span and the depth of research encompassing the goddess include the shifting changes in the present era and finds her manifestations in Bonabibi, Kadamkottu Makkam and Manushi Swaccha Narayani, in addition to the well-known concept of Parashakti, Lakshmi, Sarasvati, Durga, Mahishasuramardini, Prajnaparamita, Hathor, Isis and Mother Mary.

This richly illustrated volume on Cult of the Goddess is a rare and priceless collection for art historians, researchers, students, and others interested in art, culture and religion.

ABOUT THE AUTHOR Arputha Rani Sengupta

Arputha Rani Sengupta is Associate Professor in History of Art at the National Museum Institute, Deemed University in New Delhi. She has lectured widely and published extensively her writings on diverse aspects of art in journals and contributed to leading publications, including the IGNCA. Her book on Art of Terracotta focuses on Cult and Cultural Synthesis in India. She investigates it further in her forthcoming book on the Buddhist Jewellery. Sengupta was Assistant Professor in History of Fine Arts in Stella Maris College at Chennai and at Lasbrey Teachers' College at Imo State in Nigeria. She specializes in cross cultural currents and globalisation during the early Buddhist period in India. She is currently writing on the Symbols and Substitutes in the Early Buddhist Art of India under ICHR grant. She has coordinated several symposiums on art in NMI and is editor of God and King: Devaraja Cult. She has studied Art History in the University of Madras, Chennai, Rabindra Bharati University, Kolkata and University of Washington, Seattle. A versatile practicing artist, she has exhibited extensively and has received several awards for her paintings.

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Bibliographic information

Title
Cult of the Goddess
Author
Edition
1st. ed.
Publisher
ISBN
9788124607978
Length
xv+704p., Illustrations; Colour Plates; Figures; Index; 28cm.
Subjects