No discourse on Indian modernist sculpture would be complete without according a position of centrality to Himmat Shah. For over four decades now, Himmat has demonstrated his leading preoccupations, primarily in drawing and sculpture. If one stands back to take a telescopic view of his sculpture, it would probably fall in the areas of enigma, domesticity and sheer whim.
ABOUT THE AUTHOR Gayatri Sinha
Gayatri Sinha (born 1957) is a student of English Literature, Calcutta University, with post-graduate studies in social Communications Media, Bombay. She has written extensively on the arts and is currently art critic with The Hindu, New Delhi. She has edited the volume, Expressions and Evocations - Contemporary Indian Women Artists published by Mart, 1997. On a Ford Foundation grant she curated the exhibition Woman / Goddess that traveled in India and abroad, 1999-2001. In 2001, she wrote monographs on the drawings of Satish Gujral and the art of Gulammohammed Sheikh. Her monograph on Krishen Khanna, supported by a senior fellowship from the Department of Culture, Government of India, was published by Vadehra Art Gallery in 2002.
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