This book examines and reflects upon a wide range of issues relating to Indian cinema, including the filmosophical ones that have never been touched upon before. Philosophizing cinematography engaged our attention during the 1980s largely with Gilles Deleuze, but for a long time he was not much known or talked about in India. One of the essays in this book explores the possibilities of integrating a unique Jaina principle of ‘multiple reality’ with ...
