To depict Indian music as illustrative of the mind of the ancient Hindus of Puranic, Buddhistic, Sutra & Brahmanaa or Upranishadic periods, as well as of the Indian Muslims of a few centuries in the past, is the task which the present book takes up. The nomenclature used in this book is not pure Sanskrit, but the one in common use among the present musicians. The book is divided into eight chapters. Chapter one is on the History of India Music and the Theory ...