This book is an exhaustive study, critically and thoroughly explaining Sri Aurobindo’s use of image, symbol and myth in his voluminous poetry, especially in his early lyrics, sonnets, longer poems, etc. In fact, the special feature of the book lies in its thorough dealing with this bolk that unfortunately hitherto slipped from the critical eye. Hence the focus is on the usage of rhetorical, visual, auditory, olfactory, gustatory, kinaesthetic and abstract, etc. ...
