This latest addition to Sankara literature is totally different in concept. It's not a biography; it's not history; and it's not quite fiction. Yet it is in some sense all these. It's based solidly in tradition, and it is at the same time just the kind of presentation that makes the postmodern reader sit up and take notice. It is philosophical, yet never forbiddingly so. It reads more like a story. The prose is simple, smooth, and meditative. Padmapada, Sankara's ...
