The radical ideas which broke the orthodoxy in western sculpture in the early years of this century yielded a remarkable spread of technologies. This led to far freer, even adventurist developments in abstractions, figurations and conceptualisations, on the one hand, and to projects of various kinds with ready mades, found objects and varities of hardware, on the other. Interestingly, it made room for much else to happen. Taking advantage of the contemporary ...
