This work investigates a figure, Nimbarka, who is famous and yet shadowy as to his identity, his time, his authentic teachings and work. The method followed in this investigation is adequate: First, securing as basis a work whose genuineness is not controvertible, the Vedantaparijata Saurabha; second, in its light, investigates the genuineness of other works allegedly composed by Nimbarka; third examines critically all relevant traditions concerning Nimbarka and ...
