India produces more films than any other country in the world, and these works are avidly consumed by non-western cultures in Africa, Eastern Europe, the Middle East, and by the Indian communities in Australia, Britain, the Caribbean Islands, and North America. Jyotika Virdi focuses on how this dominant medium configures the 'nation' in post-independence Hindi cinema. She scrutinizes approximately thirty films that have appeared since 1950 and ...
