Niaz Zaman
Showing all 10 books
Strong Backs, Magic Fingers: Traditions of Backstrap Weaving in Bangladesh' provides an overview of backstrap weavers and weaving in Bangladesh. It includes accounts of weaving by the Bawm, Chak, Chakma, Khyang, Khumi, Lushai, Marma, Mro, Pangkhoa, Tanchangya and Tripura, who dwell in the Rangamati, Khagrachhari and Bandarban regions of the Chittagong Hill Tracts, as well as of the Manipuri community who live in the northeast of Bangladesh. Profusely illustrated, ...
"This is a collection of Bengali short stories and poems by some renowned as well as fledgling and experimental writers. The reader will find an accurate and modern translation of their works which have maintained their startling originality of theme and language. The themes of the stories and poems are wide ranging. They deal with rural life, mother-daughter relationship, love, marriage and struggle in the face of overwhelming odds. The selections include ...
Shortly after the creation of Pakistan, the question of what would be the state language became a burning issue. Bangla-speakers formed the single largest ethnic and linguistic majority. Nevertheless, the founder of Pakistan, M.A. Jinnah, declared that “Urdu and Urdu alone shall be the state language of Pakistan.†The Bengali struggle for the rightful recognition of Bangla gained momentum. On 21st February 1952, police fired on a procession in Dhaka demanding ...
In his foreword to the first edition of The Art of Kantha Embroidery (1981), Syed Zillur Rahman commended the book as the "first of its kind on the traditional arts of Bengal." This revised second edition of The Art of Kantha Embroidery includes all the information contained in the first edition but also brings it up-to-date by including the rapid changes that have taken place in the kantha since its revival in the eighties. With the help of line ...
This collection of short fiction begins with "Sultana's Dream", published in 1905, and ends with "A Small Sacrifice," published in 2005, covering a hundred years. Both the stories critique prevailing injustices of a male-dominated society, with the element of class added to the latter story. Roquiah Sakhawat Hossein and Syed Waliullah wrote in both Bangla and English -- as do Razia Khan, Munize M. Khasru, Dilruba Z. Ara, Maithilee Mitra, and ...
Give a woman a comb and a mirror - and a little leisure - and she will arrange her hair, perhaps put kajal in her eyes, a tip on her forehead, or a touch of read on her lips. Whom is she beautifying herself for? Her lover or her husband? Or is she looking at the woman she sees in the mirror? And is she pleased with what she sees? The twenty stories in this collection from Indian and Bangladeshi writers show women their own faces. Separated by language, by food, ...
Fault Lines is the first anthology containing stories from Bangladesh, Pakistan, India, the United States and the United Kingdom on the theme of 1971. There is a lot of creative writing that has emerged from 1971, but most of it in regional languages. This anthology, by putting together stories originally written in Bangla, Urdu, Sindhi or Punjabi, in addition to a handful originally written in English, attempts to bridge the language barrier. The breakup of ...