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This monumental treatise from the 13th century sums up and organises what had gone before, and in doing so provides both master plan and basic topics for subsequent musicological work, even to the present day. The combination of Devanagari text (from the Adyar edition) running concurrently with footnotes, makes the work very convenient. Dr. Shringy's English translation, commentary, and footnotes, makes the work very convenient. Dr. Shringy's English translation ...
The present volume of the annotated translation of Sangitratnakara contains the second, third and fourth chapters of the text dealing with raga, miscellaneous topics pertaining to vocal music and prabandha (vocal compositional forms) respectively. These chapters deal with topics that are directly related to current practice. The format of the first volume has been followed in this volume, except a small deviation in the word-index, where a glossary has not been ...
J. Krishnamurti was a free thinker of international reputation. His thinking was free from conditioning influences of the different systems of philosophy, Eastern as well as Western, religious dogmatism, political ideology, intellectual speculation and cultural bias. He, in his life-work, opened a new chapter in the history of Indian philosophy and religion by his earnest and deep: as-a-matter-of-fact enquiry into the nature of existence and reality without any ...