The work explores the physical and emotional interaction between Siva and Parvati as represented in sculptural works in the Indian subcontinent. In two volumes, it examines a host of images supported by classification of Siva-Parvati figures in texts like the Saiva Agamas and iconographic studies of the past decades. It surveys an astounding sculptural diversity of Siva-Parvati icons particularly forms of seated or standing Umasahita-murti, standing Alingana ...
