This book argues, however, that this "Indianization" is no cause for celebration. Using in-depth interviews with Indian music television viewers and theoretical approaches drawn from political-economic, cultural and post-colonial studies, it argues instead that the reception of "Top Ten" shows and nationalistic music videos is part of a profound reordering and appropriation to common sense under the changing social relations of globalization.
Vilasini Natyam: Bharatam of Telugu Temple and Court Dancers
Vilasini Natyam Bharatam of ...
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