Indian Glass Beads: Archaeology to Ethnography

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Indian Glass Beads: Archaeology to Ethnography lists all archaeological, historical and medieval findings of glass beads in India and map them to different cultural periods. It demonstrates how such a micro study can help in the better understanding of Indian history and logically places this study in the broader context of study of humanity’s past. The book details of the glass bead production technology, surviving traditional bead producing centers and the major users of the same. The field are taken was very broad with traditional producers studied in Andhra Pradesh and Uttar Pradesh as well as traditional users studied living in Odisha and Nagaland (for details see the content and the book).

It concludes "Given that glass beads constitute and important antiquity, with a high survival rate, and a size and usage pattern that ensures wide dispersal, it is important to correlate archaeological evidence with current knowledge of production processes involved in bead production. In doing so we begin to understand how the whole lifecycle of bead, from the first stages of production to the various end-users, traverses a spatially wide area, with possibility of ‘debitage-like’ deposits accumulating at various stages. However, while the beads, once produced, tend to ‘travel’ to distant places, their production requires a complex web of processes, techniques and skills which are likely to be available at only limited number of locations. Thus the dispersal is of the artifact, not of the whole web of production processes, implying that care has to be exercised before any site with bead debitage can be considered a bead production centre."

Contents: I. A Study of Glass and Beads: 1.Introduction. 2. Glass. 3. History of glass. 4. Composition of glass. 5. Development of glass in India. 6. Karakambadi. 7. Present day production of glass. 8. Shaping and finishing of glass. 9. Firozabad: the glass capital of India. 10. Beads. II. Glass and glass beads in India: 11. Ancient glass and glass beads in India. 12. Glass beads and glass findings from Indian Archaeology. 13. Discussion. III. Glass beads production: 14. Introduction. 15. Winding technique. 16. Purdalpur: the centre of furnace wound beads. 17. Varanasi: the lamp winding bead complex. 18. Drawing method. 19. Papanaidupet: the Indo-Pacific bead production centre. 20. First firing. 21. Second firing. 22. Stringing the beads. 23. Other beads. IV. Users of glass beads: 24. Introduction. 25. Beads among the Bondo. 26. Beads among the Juang. 27. Glass beads among the Nagas. V. Conclusion: 28. Discussion. 29. Ethnoarchaeology. References. Colour Plates. Index.

ABOUT THE AUTHOR Alok Kumar Kanungo

Dr. Alok Kumar Kanungo was born in Orissa and grew up in close contact with many tribal communities of Eastern and north-eastern India. His early childhood experiences led him to eventually focus on the archaeology and ethnographic study of tribal and ancient technology. For more than a decade Dr. Kanungo has been reavelling and documenting the rich heritage of the Nagas of Northeast India, and the Bondos and Juangs of Orissa. He has spent considerable time in the field, living in villages and towns where these communities trade. He has worked in many areas where it is difficult to say where anthropology or history stops and archaeology beings.

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Bibliographic information

Title
Indian Glass Beads: Archaeology to Ethnography
Author
Edition
1st. ed.
Publisher
ISBN
9788189131999
Length
208p., Illustrations; Some Colour; 12 Maps; 29cm.
Subjects