Indian writers have long been interested in the classification of heroes and heroines in well-defined types. Such classifications are typically developed in Sanskrit treatises such as Natyasastra, the Sahitya-Darpana, and Kama Sutra and in other works and later in vernacular literature of Hindustan, chiefly in Rasikapriya, Satsaiya, and the Bhasa-bhusana.
ABOUT THE AUTHOR Ananda K Coomaraswamy
Ananda Kentish Coomaraswamy, the greatest among the Indian art-historians, was born in Colombo on August 22, 1877. After graduating from the University of London he became the director of the Mineralogical Survey of Ceylon. Between 1906 and 1917, when he joined as the Curator of Indian Art in the Boston Museum he was busy lecturing on Indian art and formed societies for the study of Indian art. In 1938, he became the chairman of National Committee for India’s Freedom. His contributions on Indian philosophy, religion, art and iconography, painting and literature are of the greatest importance as were his contributions on music, science and Islamic art. He died on September 9, 1947.
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