The Oxford Readings in Indian Art

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The world of art is complex and challenging in general; in India it is even more so because the documentation here is truly thin, and whatever exists is so widely scattered that it becomes a task in itself to locate it.

This book address both these issues and brings together in one volume a remarkable body of material consisting not of speculations or theories but of original, primary sources. The voices one ‘hears’ in these excerpts are true and authentic, and if there are any speculations or interpretations, they come from texts or persons directly involved in the making or the understanding of the art of India. Sages speak here, in these pages, of the inter-relationships between the arts, practitioners record measurements of units of time and space, iconographers lay down rules and practices, artists record their experiences and patrons their delights. Information gathered from colophons is documented; excerpts are taken from memoirs and contemporary histories; the work of early writers on the arts is presented.

Slowly, as one dips into these sources, one can hear the past speak, and the arts of India that have been lost to history come alive.

Contents: Acknowledgments Introduction Part 1: Early Textual References to Art Part2: Icons and Their Measurement Part 3: Aesthetic Theory Part 4: Arts in Practice and as Observed Part 5: Artists and Patrons Part 6: Early Art Historical Writings Bibliography About the Editor.

ABOUT THE AUTHOR B.N. Goswamy

B.N. Goswamy, distinguished art historian, was till recently Professor of Art History at the Punjab University, Chandigarh. A leading authority in the field of Indian painting, his work has been of seminal importance both to the studies of Pahari painting and painting in the Punjab. Among the most significant of his published works are: Pahari Painting, The Family as the Basis of Style (Marg, 1968); Pahari Paintings of the Nala Damayanti Theme (Delhi, 1975); Essence of Indian Art (San Francisco, 1986); Wonders of a Golden Age (Zurich, 1987); Pahari Masters: Court Painters of Northern India (Zurich, 1992); Indian Costumes in the collection of the Calico Museum of Textiles (Ahmedabad, 1993); and Nainsukh of Guler: A great Indian painter from a small Hill State (Zurich, 1997). His most recent work, Painted Visions: The Goenka Collection of Indian Painting, was published by the Lalit Kala Akademi earlier this year. Professor Goswamy has been visiting Professor at the Universities of Heidelberg, Zurich, Pennsylvania, California at Berkeley, California at Los Angeles, and Texas at Austin, and has lectured extensively both in Europe and the U.S., and in India. He has also been responsible for major exhibitions of Indian art in Paris, San Francisco and Zurich.

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Bibliographic information

Title
The Oxford Readings in Indian Art
Author
Edition
1st. ed.
Publisher
ISBN
9780199469420
Length
496p.
Subjects