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While the World War raged, Sergei Eisenstein, perhaps the world’s greatest filmmaker theoretician, lectured at the State Institute of Cinematography at Moscow, on how to turn a short story into a filmscript. In this transcript of the couple of lectures, appearing in English for the first time in a translation by Alan Upchurch, Eisenstein analyses in painstaking detail two parallel scripts made out of the same story, and prefers one to the ...
For Eisenstein, the apos is 'Paradise Regained. Created only by a drawing.' There he discovers the theme of his own drawing: 'the coming into being of the human form from plasma. Mickey Mouse has this plasmation par excellence!'