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Papers presented at the National Seminar on Minority Discourses : Democracy and Difference, held at Baroda during 12-14 August 2003.
Mainstream art historical writing on Indian art has remained focused on identifying and defining stylistic schools, understanding evolutionary patterns and regional styles as well as understanding iconographic and narrative conventions and structures. The wide-ranging essays in this volume challenge the boundaries and assumptions of ainstream art history. Moving away from an art history structured by an art object-centered approach, this book gestures at a ...