Pauranic Prana-aesthetics, a finer shade different from that of Vitalistic aesthetics (the earlier having breathing-rhythm of "Ksaya-Vrddhi"--diminuation and augmentation--other than the latter's emphasis only on the rhythm of augmentation), has been delineated in this study with examples from the world's two of the best art-monuments: Ajanta (India), now not remaining unknown even to the most casual connoisseur, and Sopocani (Yugoslavia), the most ...
