Harsha V. Dehejia has gathered a galaxy of scholars from around the world to take the reader on a journey that celebrates the romantic heroine in the Indian arts. It is a visually rich journey which takes us to opulent havelis and bucolic groves, temples and courtyards, where we meet kings and nobility and also artists and artisans, as we hear whispers of gopis and the footfalls of Krishna. We encounter the nayika in miniature paintings and temple sculptures, pothis and calendars, dance and music but above all hear resonances of her heart throbbing longingly in our own selves for ultimately the nayika in the Indian tradition is a paradigm of the perennial quest of mankind for a divine and transcendent love. At the heart of the many and varied artistic expressions of the romantic sentiment is the nayika or the heroine. Her various adornments and trysts, the many moods of her love realized through amorous moments of longing or belonging, her strong presence in the Krishna lore and equally in the Sufi narratives, her portrayals in the Ragamala and the Barahmasa traditions of poetry and painting, through the beautiful depictions in miniature paintings as well as popular arts, have captivated our attention through the many centuries of Indian artistic representations. Her footfalls have been heard in courts and temples, she has been celebrated by the raja and the praja, she has a presence in homes and mansions and her persona resonates in enchanted forests and groves. She is all this and more, but above all she is the epitome of perfect beauty and the paradigm of the seeker of ultimate reality. In these essays, she comes alive in all her splendour and radiance, she captures our attention through her sheer sensuality as she looks into the mirror and prepares for that special moment. She delights in the many romantic situations and brings alive the concept of bhakti shringara or a certain spirituality that can only arise from indulging in love, but above all she stands self-assured and dignified, whispering that not only is there truth in love but that love is truth.
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A Celebration of Love: The Romantic Heroine in the Indian Arts
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ABOUT THE AUTHOR Harsha V Dehejia
Harsha V. Dehejia has a double doctorate, one in Medicine and the other in Ancient Indian Culture, both from Mumbai University. He is also a Member of the Royal College of Physicians of London and Glasgow and a Fellow of the Royal College of Physicians of Canada, all by examination. He is a practising Physician in Ottawa and also Adjunct Professor in the College of Humanities of Carleton University in Ottawa. His special interest is in Indian Aesthetics. His publications include: Advaita of Art, Parvatidarpana, Despair and Modernity, Gods Beyond Temples and Leaves of a Pipal Tree (all by Motilal Banarasidass, Delhi); Parvati: Goddess of Love, The Flute and The Lotus: Romantic Moments in Poetry and Painting and Celebrating Krishna: Sensuous Images, Sacred Words (all by Mapin, Ahmedabad); A Celebration of Love: The Romantic Heroine in the Indian Arts and A Festival of Krishna (both by Roli, Delhi).
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Bibliographic information
Title
A Celebration of Love: The Romantic Heroine in the Indian Arts
Author
Edition
1st. ed.
Publisher
ISBN
8174363025
Length
304p. Col. Plates; 29cm.
Subjects
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