Bhand Pather is an age-old traditional theatre form of Kashmir; generally held in open spaces. Interestingly in this theatre form, there is no pre-determined script, since it belongs to the oral tradition, handed down from one generation to the other, in the Guru-shishya parampara. Although the themes are old, the performance is always new, as it manifests itself n a new space and time. The Bhand actors skillfully weave and infuse contemporary religious, social and political issues into the prevalent stories of the plays from the repertoire in such a manner that every performance has something fresh to the audience. Though rustic in nature and presentation, the vocabulary of Bhand Pather is elevated to higher grounds with intermittent allusions to the Vakhs and Shruks of several great medieval and modern mystics of Kashmir. Over a vast period of time, Bhand Pather has evolved as a mature and complete theatrical experience.
To expound the academic, historical, cultural and performative perspectives of this rare art-form at an institutional level, the IGNCA organized a three-day festival titled ‘Revisiting Bhand Pather: folk theatre of Kashmir’ under its ‘Shastra and Prayoga’ programme. During this festival, stage performance of three Bhand Pather plays, namely, Gosain Pather, Shikaragah Pather and Badshah Pather was organized in the amphitheatre of the IGNCA for three successive days.
The present illustrated monograph is an attempt to encapsulate the spirit of the said present a visual treat to the general readers and connoisseurs alike.
ABOUT THE AUTHOR Sudhir Lall
Dr. Sudhir Lall is a senior researcher in the Kalakosa Division of the IGNCA, and is looking after the official projects on Indian Poetics, Indian Architecture and Vaisnuvagems, along with his personal research projects. He is deeply interested in exploring the inter-and multi-discipinarity of ancient Indian thought and its cross-cultural perspectives and remains an incisive student of religious studies, literature and philosophies. He has presented some thought-provoking research papers in various national seminars and international conferences and has also contribute quite a few articles and books on various topics related and nooks on various topics related to Indic studies. He is a member of various committee of the IGNCA and other cultural organizations.
ABOUT THE AUTHOR Sushma Jatoo
Dr. Sushma Jatoo is a senior researcher in the Kalakosa division of the IGNCA, and is looking after several important projects of the centre, especially on Indian Musicology and Indian Architecture, etc. She has keen interest in the studies of art, culture, literary traditions, philosophy, etc. and is committed to bringing forth a holistic view of Indian artistic traditions along with exploring the movement of Indian intellectual traditions in Indian as well as in Asis. She has presented some interesting and intriguing research paper in various national and international conferences and has contributed several articles and books on above mentioned themes of Indology. She is a member of several executive committees of IGNCA and other sister organizations.
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