Compositions of Maharaja Swati Tirunal in Devanagari and Diacritical Roman Scripts with SRGM Notations and Meaning in English

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A collection of 393 compositions in one volume has been made available for the first time in Devanagari and diacritical Roman scripts with English translation followed by SRGM notations in Roman script, reaching all corners of the globe. All compositions are presented in a format revealing the beauty at a glance of its poetical excellence of rhymes etc. besides Raga, Arohana, Avarohana, Mela, Tala and Visesha Prayoga-s wherever necessary. All the songs are indexed in respective alphabetical order in Devanagari as well as diacritical Roman scripts to help quick spotting of the songs sought, at the end of the book.

ABOUT THE AUTHOR T.K. Govinda Rao

Sangita Kalanidhi Tripunithura Krishnan embrandiri Govinda Rao, who hails from a family of musicians from Kochi-Kerala, is a leading vocalist of Indian Classical Karnatak Music. In 1949 he joined the then Central College of Karnatak Music at Madras, where under the care of great musicians like Sangita Kalanidhi Tiruppampuram Swaminatha Pillai and Smt. T. Brnda, he completed the course of "SANGITA VIDVAN". TKG was fortunate to have as his guru, the founder-Principal, Padmavibhushan, Sangita Kalanidhi, Isaipperarinar Sri Musiri Subrahmanya Iyer, the doyen of Karnatak Music. A rigorous GURU KULAVASA - training spread over fifteen years followed by many years of close association with his Guru, marks him as a faithful representative of the Musiri style of Bhava-laden renderings. A career that spanned over give decades brought him assignments such as Lecturer, Govt. of Tamizh Nadu' Music College, Chennai; Producer-Music, All India Radio, Chennai and finally Chief Producer-Music in the Directorate-General, All India Radio, New Delhi. In addition, he had been associated with the Music Academy, Chennai, as a member of the Advisory Committee, Central Sangit Natak Akademi and the ICCR as also with Universities of Banares, Delhi, Madras, Annamalai, Bangalore and Telugu University in various capacities. All these assignments, however, did not deter him from his prime vocation as a vocalist and teacher that took him, over the years, all over India and abroad: Sri Lanka, Singapore, Malaysia, UK, USA (S.V. Temple, Pittsburgh, among other cities), Canada and Muscat, where he has taught hundreds of students. Titles like Sangita Kalanidhi, Sangita Cudamani, Sangita Sastra Ratnakara, Sangita Ratnakara (USA), Ganakala Tilaka, Nadakkanal, Swara Samrat, Sangita Samrat, Sangita Acarya, Gayaka Sikhamani besides the Academi Award from the Central Sangit Natak Akademi - the National Academy of Music, Dance and Drama, and Asthana Vidvan of Sri Kanci Kamakoti Pitham have been conferred on him for his contributions to the field of Karnatak Music. "T.K.G. is a veteran of the old school who has played a prominent role in the preservation of all that is precious in the truly classical rendition of Karnatak Music." - The renowned senior music critic Sri PN. Krishnamurthy, quoted in the wellknown music Magazine "SRUTI". To promote, preserve and propagate the time-tested oral traditions of Classical Karnatak Music, he founded a body name "Ganamandir Trust" with the object of publishing works on music, producing audio/video CDs and cassettes in his "Ganamandir Studios"; organizing seminars and workshops on music in India and elsewhere, also providing them to the donor-members free of cost.

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Bibliographic information

Title
Compositions of Maharaja Swati Tirunal in Devanagari and Diacritical Roman Scripts with SRGM Notations and Meaning in English
Author
Edition
1st ed.
Publisher
ISBN
965187144
Length
xxvi+486p., Plates; Tables; Glossary; Index; 29cm.
Subjects