This book explores the presence and contribution of women to the recorded history of Indian theatre. It provides a platform to raise, discuss and debate issues, aesthetics and techniques connected with the Indian theatre in the backdrop of political, social and moral values of women in theatre. An attempt to fill up the vacuum of scholarly literature on the role of women in theatre, this book expects to create enough academic value and interest. Its content unearths the dynamics of gender in the history of theatre. It extensively deals with the theoretical and practical aspects of women’s theatre.
This anthology also addresses the various social issues associated with gender inequality through essays, play-texts and interviews. In a similar vein, it delves deep into the relationship among theatre, public/private sphere and gender. This work purports to address a variety of needs of feminist researchers and laymen who are not conversant with the contribution of women to theatre and its obvious political and transformative intent.
This collection also intends to see how the theatrical space could unsettle the gendered binaries regulating women’s presence in public space, and proposes to see why and how relevant feminist politics is in re-imagining a vibrant and inclusive concept of gender fairness and justice in contemporary India. It extends high referral value for researchers, students and even laymen with interest in the role of women in theatre.
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