Nazrul’s works have often bring taken up for dissertations and scholarly speculations in many books and journals since his death. However, this book is more of a personal approach to understand the towering presence behind an astonishing corpus of one of the Most influential Bengali poets of the twentieth century, hence the format of a photo album. My object here is to, Primarily, inform the newer, English and Bengali-reading generation who have seldom had access to such a wealth of material that would inevitably end up shedding more light on this works. If this is realized to some acceptable degree. I would consider myself, finally satisfied.
Sculptural Art in Early Buddhist (Hinayana) Caves of Western Maharashtra: A StyloChrono Study
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