Through close encounters with a hundred carefully handpicked works, spanning nearly a thousand years, and ranging from Jain manuscripts and Pahari and Mughal miniatures to Company School paintings, B.N. Goswamy unlocks the many treasures that lie within them. As he narrates the stories behind each work, and deciphers the visual vocabulary and language of the painters, he also brings to life the cultural, social and political milieu in which they were created. An illuminating introductory essay precedes the section on the 101 paintings Lavishly illustrated, and combining deep erudition with great story-telling, this is a book of enduring value that will delight the reader and teach him new ways of seeing and appreciating art.
ABOUT THE AUTHOR B.N. Goswamy
B.N. Goswamy, distinguished art historian, was till recently Professor of Art History at the Punjab University, Chandigarh. A leading authority in the field of Indian painting, his work has been of seminal importance both to the studies of Pahari painting and painting in the Punjab. Among the most significant of his published works are: Pahari Painting, The Family as the Basis of Style (Marg, 1968); Pahari Paintings of the Nala Damayanti Theme (Delhi, 1975); Essence of Indian Art (San Francisco, 1986); Wonders of a Golden Age (Zurich, 1987); Pahari Masters: Court Painters of Northern India (Zurich, 1992); Indian Costumes in the collection of the Calico Museum of Textiles (Ahmedabad, 1993); and Nainsukh of Guler: A great Indian painter from a small Hill State (Zurich, 1997). His most recent work, Painted Visions: The Goenka Collection of Indian Painting, was published by the Lalit Kala Akademi earlier this year. Professor Goswamy has been visiting Professor at the Universities of Heidelberg, Zurich, Pennsylvania, California at Berkeley, California at Los Angeles, and Texas at Austin, and has lectured extensively both in Europe and the U.S., and in India. He has also been responsible for major exhibitions of Indian art in Paris, San Francisco and Zurich.
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