The Lady behind the veil, who opens her face to Rabindranath Tagore (1861-1941) in the final moment beyond death, flits through the corpus of his life work. More specifically, however, she appears in four forms of his work; poems, songs, think pieces in prose and paintings. Jivanadevata is mentioned by name only in a few poems, and in some prose pieces including The Religion of Man. Her identification is a matter of guess work in the rest of his work, especially in paintings.
The Felt Community: Commonalty and Mentality Before the Emergence of Indian Nationalism
In this absorbing study of ...
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